ACID PRO 7.0 PATCH SKIN
ElectraX suffers from none of these maladies.Īs noted above, Tone2’s application of a different skin for each synth engine within a patch is crucial for keeping the user oriented as to which part of the sound they’re working on at any moment. These are just four of the 24 possible combinations in a four-layered patch preset.ĮlectraX 2EasyDance with Synth Layers 1 2 3 and 4:ĮlectraX 2EasyDance with Synth Layers 1 2 3 and 4Įlectra 2EasyDance with Synth Layers 1 2 and 3:ĮlectraX 2EasyDance with Synth Layers 1 2 and 3ĮlectraX 2EasyDance with Synth Layers 1 and 2:ĮlectraX 2EasyDance with Synth Layers 1 and 2Įlectra 2EasyDance with Synth Layer 3 only:Įlectra 2EasyDance with Synth Layer 3 onlyĪ powerful synth loses significant strength if its controls are hard to locate, hard to understand, or induce fatigue following extended use. Like other synths where multiple, identically manipulatable layers are accommodated (Cakewalk’s Rapture comes to mind), taking a preset and quickly making it your own seems almost too easy.Ĭheck out the following sound clips to see how the four layers of one patch - “2EasyDance” in this case - can be combined and/or separated out. How can you combine them? As it turned out, the possibilities were enticing, and constantly exciting. The key to ElextraX is the fact that it hosts up to four synth engines in each patch, with a different color scheme for each synth engine to get you oriented as to what level you’re working on. As I kept auditioning sounds, I saw that for needs ranging from advanced dance grooves, rhythmic pulses, huge pads, beautiful ambiences, ugly/scary sound design, and ear candy, ElectraX covers a great deal of 21st Century needs, and almost always in a musical way.ĮlectraX lets you access four synth engines per patch. There are 17 banks of presets to explore (“Action Sequence,” “Arpeggiator”, “Atmo”, “Bass”, “Keys”, “Semireal”, “Vocoder” etc…), and by playing around with the very first preset I came to, Action Sequence “1Heart”, I could see how deep, yet accommodating, this synth was going to be. Result: I could relaxxxx and start enjoying what ElectraX had to offer immediately.
ACID PRO 7.0 PATCH HOW TO
Sometimes that’s more difficult than you’d think, but it wasn’t a problem here: In under a minute, I had figured out the GUI’s file structure and process for showing you factory presets, as well as how to save your own custom versions of those presets. My biggest fear when I start up with a soft synth is that I won’t be able to locate presets right off the bat, since I think that patches straight from the experts are the best way to find out what these instruments are all about. One glance at the ElectraX’s spacious, intuitive GUI told me I’d be able to make music right away, and I was right. If I think a synth will allow it, I like to dive in and start without the manual. Within a few seconds of launching Acid, I was up and running with ElectraX.
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Authorization was relatively easy – you have to figure out where to put the keycode file, but this isn’t too obstructive.
ACID PRO 7.0 PATCH WINDOWS
I downloaded ElectraX and installed it onto my machine, a Windows laptop running Vista, with Acid Pro 7.0 as my primary host. A number of functional upgrades and bug fixes came with the V1.1 release. You can visit the Tone2 Website for all the details on everything, but other technical highlights include the fact that up to 18 oscillators per voice (Virtual Analog, FM, Phase Distortion, Ultrasaw, Sync etc…) are available you can import your own samples or custom wavetables there are two multi-mode filters with 23 unique filter types a modulation matrix, four independent arpeggiators and step sequencers and 18 effects are onboard.
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In all, users have the ability to combine multiple polyphonic or monophonic synthesizers and 13 different synthesis methods.
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Referred to by Tone2 as its “sonic warrior” instrument, ElectraX V1.1 (MSRP: $199) has a number of tools working together: multi-synthesis oscillators, analog modeled filters, chaotic fractals, samples, psychoacoustic processing, flexible modulation, internal effects and a very wide sonic range.
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Would it live up to my lofty expectations? When I got the chance to review ElectraX 1.1, I jumped on it. For years, their FilterBank effects plug-in had been my “secret weapon” whenever bizarre-but-musical treatments were needed for my drone/theatrical trailer work, hallucinatory vocal effects, or unpredictable inspiration of any sort.ĭespite my dedication to their effects, I had never used a Tone2 synth. When I saw that German developer Tone2 had released the ElectraX VST/AU virtual instrument, I was intrigued.